Calendar of Events

Calendar of Events2017-03-31T22:36:16+00:00

There are four different ways in which you can display the forthcoming events (use the drop-down menu on the right to switch between them): Calendar, Agenda, Stream, and Posterboard.

To see all events and display earlier or later time periods, click the < or > next to the calendar icon on the left.

You can use the Categories and Tags drop-down menu to filter the display and restrict it to certain kinds of events. To de-select categories or tags and show all events, click the crossed circle next to the currently displayed category.

View a whole month at a time: hovering over a date cell that contains an event, you can see a summary - click to follow the link to the full event details.

View a sequential listing of events by date, including their titles, date and time details. By clicking on the plus-sign on the right, you can expand the panel to see the full workshop/event description - at the bottom you find a button saying "Read more ..." - follow that to the dedicated page with all the event details.

View a list of events, including their titles, date and time details as well as an excerpt of the event description and its image - click the title to follow the link to the full event details.

Events are displayed with their date, time, images and titles in large boxes - four across the page - with an excerpt of the event description - click the title to follow the link to the full event details.

None of these previous listings include proposed events - there is a separate page for those in the menu: Proposed Events.

May
2
Sat
2020
Oxford: Mastering the Creative Therapeutic Technique of Two-chair Work @ OTS-Oxford Therapy Centre
May 2 @ 10:00 – May 3 @ 17:00

Solutions to the 2-chair technique's recurring pitfalls

Anticipating and understanding the obstacles and problems inherent in the technique and making therapeutic and transformational use of them

When it comes to shifting the focus of therapeutic interaction from 'talking about' to 'exploring the experience', there are few techniques more useful than 'empty-chair' or 'two-chair' work (this applies to supervision as well as therapy).
However, when therapists risk using the technique, it often does not produce the intended or intuited results. Having started with what seemed like a burning, vibrant issue, the spark gets lost, and the interaction ‘goes flat’ or starts going round in circles.

"From many years of using the technique myself, as well as teaching and supervising it, I have concluded there are some built-in recurring pitfalls which are inherent in it. When we understand why these obstacles and pitfalls are necessarily bound to occur, we can anticipate and prepare for them and address them as they arise. This can actually enhance our use of the technique and make it more elegant and effective."

"I am expecting that in terms of the micro-detail of therapeutic technique (what you actually do and say as a therapist and how and in what sequence and with what timing), these days will be amongst the most specific and useful you will ever do. In terms of this particular technique, it's as close to a 'recipe book' or ‘manual’ of therapeutic intervention as is feasible when what we are really interested in is the aliveness and spontaneity of the client-therapist interaction."

This unique series of 5 CPD days with Michael Soth, starting with an in-depth weekend workshop (2 & 3 May 2020), followed by three further days, is designed to engender both detailed knowledge and skill as well as confidence and authority, whatever level of experience you are currently bringing to this type of work. The follow-on days are spaced out in such a way that participants can apply their learning in practice during the weeks in between, and then bring their experience back for deeper reflection and further learning.

The 'empty-chair' technique or 'two-chair work' is one of the best-known and widely-used humanistic methods. The technique invites/allows the client to embody the felt reality of particular relationship difficulties they feel caught in and bring them to life (rather than ‘talking about’ them), by spatially - and therefore emotionally - separating out the protagonists of otherwise diffuse internal conversations and ruminations. This can take the shape of psychodrama or role-play of the dialogue with actual others, or it can simply be an externalising and enacting of internal, fantasised or dreamt dynamics.

One of the advantages of the technique is that it can be applied fluidly to both external and internal relationships, often helping the client not only to see, but to feel the parallels and connections between internal and external ways of relating which are at the root of what perpetuates unsatisfying, polarised or destructive relationships.

Undoubtedly, the technique has many therapeutic uses and benefits, and can facilitate powerful, transformative experiences. But when therapists attempt to use it, they frequently report in supervision that it did not work, that it 'went flat', or that the client self-consciously refused to 'perform'.

How can we anticipate and deal with these recurring obstacles?

Rather than setting ourselves (and the client) up for the pressure of the technique having to produce a 'good' outcome, let's understand the inherent principles of the technique and how the dialogue is actually bound to 'go flat'. Based on that understanding, we can then pay attention to how it does go flat when it does and make that awareness useful for the particular dialogue we have set up in the first place. This kind of stance takes care of the usual ‘self-consciousness’ or 'performance anxiety' associated with the use of the technique (for both client and therapist), and helps therapists maintain the exploratory intention inherent in the approach.

Although the technique arises from within a Gestalt paradigm and fits and belongs with the principles of that holistic approach and its underlying field theory, it has been taken up and is being used by a wide variety of other therapeutic schools, often without practitioners even knowing about its origins in Gestalt. But in order to address the inherent pitfalls and difficulties of the technique, the perspectives and paradigms of other approaches are very useful, especially body-oriented and psychoanalytic perspectives, but also, for example, NLP and CBT. Because I bring this broad-spectrum perspective to the technique, the workshop should be suitable for practitioners from across the modalities and orientations.

For more detailed information about the background, format and content of the weekend workshop, download the leaflet.

 

Jun
14
Sun
2020
Oxford: Mastering the Creative Therapeutic Technique of Two-chair Work @ OTS-Oxford Therapy Centre
Jun 14 @ 10:00 – Jun 15 @ 17:00

Solutions to the 2-chair technique's recurring pitfalls

Anticipating and understanding the obstacles and problems inherent in the technique and making therapeutic and transformational use of them

When it comes to shifting the focus of therapeutic interaction from 'talking about' to 'exploring the experience', there are few techniques more useful than 'empty-chair' or 'two-chair' work (this applies to supervision as well as therapy).
However, when therapists risk using the technique, it often does not produce the intended or intuited results. Having started with what seemed like a burning, vibrant issue, the spark gets lost, and the interaction ‘goes flat’ or starts going round in circles.

"From many years of using the technique myself, as well as teaching and supervising it, I have concluded there are some built-in recurring pitfalls which are inherent in it. When we understand why these obstacles and pitfalls are necessarily bound to occur, we can anticipate and prepare for them and address them as they arise. This can actually enhance our use of the technique and make it more elegant and effective."

"I am expecting that in terms of the micro-detail of therapeutic technique (what you actually do and say as a therapist and how and in what sequence and with what timing), these days will be amongst the most specific and useful you will ever do. In terms of this particular technique, it's as close to a 'recipe book' or ‘manual’ of therapeutic intervention as is feasible when what we are really interested in is the aliveness and spontaneity of the client-therapist interaction."

This unique series of 5 CPD days with Michael Soth, starting with an in-depth weekend workshop (2 & 3 May 2020), followed by three further days, is designed to engender both detailed knowledge and skill as well as confidence and authority, whatever level of experience you are currently bringing to this type of work. The follow-on days are spaced out in such a way that participants can apply their learning in practice during the weeks in between, and then bring their experience back for deeper reflection and further learning.

The 'empty-chair' technique or 'two-chair work' is one of the best-known and widely-used humanistic methods. The technique invites/allows the client to embody the felt reality of particular relationship difficulties they feel caught in and bring them to life (rather than ‘talking about’ them), by spatially - and therefore emotionally - separating out the protagonists of otherwise diffuse internal conversations and ruminations. This can take the shape of psychodrama or role-play of the dialogue with actual others, or it can simply be an externalising and enacting of internal, fantasised or dreamt dynamics.

One of the advantages of the technique is that it can be applied fluidly to both external and internal relationships, often helping the client not only to see, but to feel the parallels and connections between internal and external ways of relating which are at the root of what perpetuates unsatisfying, polarised or destructive relationships.

Undoubtedly, the technique has many therapeutic uses and benefits, and can facilitate powerful, transformative experiences. But when therapists attempt to use it, they frequently report in supervision that it did not work, that it 'went flat', or that the client self-consciously refused to 'perform'.

How can we anticipate and deal with these recurring obstacles?

Rather than setting ourselves (and the client) up for the pressure of the technique having to produce a 'good' outcome, let's understand the inherent principles of the technique and how the dialogue is actually bound to 'go flat'. Based on that understanding, we can then pay attention to how it does go flat when it does and make that awareness useful for the particular dialogue we have set up in the first place. This kind of stance takes care of the usual ‘self-consciousness’ or 'performance anxiety' associated with the use of the technique (for both client and therapist), and helps therapists maintain the exploratory intention inherent in the approach.

Although the technique arises from within a Gestalt paradigm and fits and belongs with the principles of that holistic approach and its underlying field theory, it has been taken up and is being used by a wide variety of other therapeutic schools, often without practitioners even knowing about its origins in Gestalt. But in order to address the inherent pitfalls and difficulties of the technique, the perspectives and paradigms of other approaches are very useful, especially body-oriented and psychoanalytic perspectives, but also, for example, NLP and CBT. Because I bring this broad-spectrum perspective to the technique, the workshop should be suitable for practitioners from across the modalities and orientations.

For more detailed information about the background, format and content of the weekend workshop, download the leaflet.

 

Jul
12
Sun
2020
Oxford: Mastering the Creative Therapeutic Technique of Two-chair Work @ OTS-Oxford Therapy Centre
Jul 12 @ 10:00 – Jul 13 @ 17:00

Solutions to the 2-chair technique's recurring pitfalls

Anticipating and understanding the obstacles and problems inherent in the technique and making therapeutic and transformational use of them

When it comes to shifting the focus of therapeutic interaction from 'talking about' to 'exploring the experience', there are few techniques more useful than 'empty-chair' or 'two-chair' work (this applies to supervision as well as therapy).
However, when therapists risk using the technique, it often does not produce the intended or intuited results. Having started with what seemed like a burning, vibrant issue, the spark gets lost, and the interaction ‘goes flat’ or starts going round in circles.

"From many years of using the technique myself, as well as teaching and supervising it, I have concluded there are some built-in recurring pitfalls which are inherent in it. When we understand why these obstacles and pitfalls are necessarily bound to occur, we can anticipate and prepare for them and address them as they arise. This can actually enhance our use of the technique and make it more elegant and effective."

"I am expecting that in terms of the micro-detail of therapeutic technique (what you actually do and say as a therapist and how and in what sequence and with what timing), these days will be amongst the most specific and useful you will ever do. In terms of this particular technique, it's as close to a 'recipe book' or ‘manual’ of therapeutic intervention as is feasible when what we are really interested in is the aliveness and spontaneity of the client-therapist interaction."

This unique series of 5 CPD days with Michael Soth, starting with an in-depth weekend workshop (2 & 3 May 2020), followed by three further days, is designed to engender both detailed knowledge and skill as well as confidence and authority, whatever level of experience you are currently bringing to this type of work. The follow-on days are spaced out in such a way that participants can apply their learning in practice during the weeks in between, and then bring their experience back for deeper reflection and further learning.

The 'empty-chair' technique or 'two-chair work' is one of the best-known and widely-used humanistic methods. The technique invites/allows the client to embody the felt reality of particular relationship difficulties they feel caught in and bring them to life (rather than ‘talking about’ them), by spatially - and therefore emotionally - separating out the protagonists of otherwise diffuse internal conversations and ruminations. This can take the shape of psychodrama or role-play of the dialogue with actual others, or it can simply be an externalising and enacting of internal, fantasised or dreamt dynamics.

One of the advantages of the technique is that it can be applied fluidly to both external and internal relationships, often helping the client not only to see, but to feel the parallels and connections between internal and external ways of relating which are at the root of what perpetuates unsatisfying, polarised or destructive relationships.

Undoubtedly, the technique has many therapeutic uses and benefits, and can facilitate powerful, transformative experiences. But when therapists attempt to use it, they frequently report in supervision that it did not work, that it 'went flat', or that the client self-consciously refused to 'perform'.

How can we anticipate and deal with these recurring obstacles?

Rather than setting ourselves (and the client) up for the pressure of the technique having to produce a 'good' outcome, let's understand the inherent principles of the technique and how the dialogue is actually bound to 'go flat'. Based on that understanding, we can then pay attention to how it does go flat when it does and make that awareness useful for the particular dialogue we have set up in the first place. This kind of stance takes care of the usual ‘self-consciousness’ or 'performance anxiety' associated with the use of the technique (for both client and therapist), and helps therapists maintain the exploratory intention inherent in the approach.

Although the technique arises from within a Gestalt paradigm and fits and belongs with the principles of that holistic approach and its underlying field theory, it has been taken up and is being used by a wide variety of other therapeutic schools, often without practitioners even knowing about its origins in Gestalt. But in order to address the inherent pitfalls and difficulties of the technique, the perspectives and paradigms of other approaches are very useful, especially body-oriented and psychoanalytic perspectives, but also, for example, NLP and CBT. Because I bring this broad-spectrum perspective to the technique, the workshop should be suitable for practitioners from across the modalities and orientations.

For more detailed information about the background, format and content of the weekend workshop, download the leaflet.

 

Oct
4
Sun
2020
Oxford: Mastering the Creative Therapeutic Technique of Two-chair Work @ OTS-Oxford Therapy Centre
Oct 4 @ 10:00 – Oct 5 @ 17:00

Solutions to the 2-chair technique's recurring pitfalls

Anticipating and understanding the obstacles and problems inherent in the technique and making therapeutic and transformational use of them

When it comes to shifting the focus of therapeutic interaction from 'talking about' to 'exploring the experience', there are few techniques more useful than 'empty-chair' or 'two-chair' work (this applies to supervision as well as therapy).
However, when therapists risk using the technique, it often does not produce the intended or intuited results. Having started with what seemed like a burning, vibrant issue, the spark gets lost, and the interaction ‘goes flat’ or starts going round in circles.

"From many years of using the technique myself, as well as teaching and supervising it, I have concluded there are some built-in recurring pitfalls which are inherent in it. When we understand why these obstacles and pitfalls are necessarily bound to occur, we can anticipate and prepare for them and address them as they arise. This can actually enhance our use of the technique and make it more elegant and effective."

"I am expecting that in terms of the micro-detail of therapeutic technique (what you actually do and say as a therapist and how and in what sequence and with what timing), these days will be amongst the most specific and useful you will ever do. In terms of this particular technique, it's as close to a 'recipe book' or ‘manual’ of therapeutic intervention as is feasible when what we are really interested in is the aliveness and spontaneity of the client-therapist interaction."

This unique series of 5 CPD days with Michael Soth, starting with an in-depth weekend workshop (2 & 3 May 2020), followed by three further days, is designed to engender both detailed knowledge and skill as well as confidence and authority, whatever level of experience you are currently bringing to this type of work. The follow-on days are spaced out in such a way that participants can apply their learning in practice during the weeks in between, and then bring their experience back for deeper reflection and further learning.

The 'empty-chair' technique or 'two-chair work' is one of the best-known and widely-used humanistic methods. The technique invites/allows the client to embody the felt reality of particular relationship difficulties they feel caught in and bring them to life (rather than ‘talking about’ them), by spatially - and therefore emotionally - separating out the protagonists of otherwise diffuse internal conversations and ruminations. This can take the shape of psychodrama or role-play of the dialogue with actual others, or it can simply be an externalising and enacting of internal, fantasised or dreamt dynamics.

One of the advantages of the technique is that it can be applied fluidly to both external and internal relationships, often helping the client not only to see, but to feel the parallels and connections between internal and external ways of relating which are at the root of what perpetuates unsatisfying, polarised or destructive relationships.

Undoubtedly, the technique has many therapeutic uses and benefits, and can facilitate powerful, transformative experiences. But when therapists attempt to use it, they frequently report in supervision that it did not work, that it 'went flat', or that the client self-consciously refused to 'perform'.

How can we anticipate and deal with these recurring obstacles?

Rather than setting ourselves (and the client) up for the pressure of the technique having to produce a 'good' outcome, let's understand the inherent principles of the technique and how the dialogue is actually bound to 'go flat'. Based on that understanding, we can then pay attention to how it does go flat when it does and make that awareness useful for the particular dialogue we have set up in the first place. This kind of stance takes care of the usual ‘self-consciousness’ or 'performance anxiety' associated with the use of the technique (for both client and therapist), and helps therapists maintain the exploratory intention inherent in the approach.

Although the technique arises from within a Gestalt paradigm and fits and belongs with the principles of that holistic approach and its underlying field theory, it has been taken up and is being used by a wide variety of other therapeutic schools, often without practitioners even knowing about its origins in Gestalt. But in order to address the inherent pitfalls and difficulties of the technique, the perspectives and paradigms of other approaches are very useful, especially body-oriented and psychoanalytic perspectives, but also, for example, NLP and CBT. Because I bring this broad-spectrum perspective to the technique, the workshop should be suitable for practitioners from across the modalities and orientations.

For more detailed information about the background, format and content of the weekend workshop, download the leaflet.